Somehow Cruise got roped into being part of this feature-film adaptation of the hit Broadway musical. But leave it to him to lay it all out there.
Though the movie is unwatchable, Cruise provides its only memorable moments when his rock-star character belts out classic songs like “Pour Some Sugar on Me” and “Wanted Dead or Alive.”
Cruise’s first appearance in a movie is this 1980s teen romance drama starring Brooke Shields that’s best known for giving us the Diana Ross/Lionel Richie title song.
Cruise gets a brief bit of screen time as one of the male lead’s friends. It’s quite forgettable, but it’s still better than “Rock of Ages.”
Between “Mission: Impossible” movies, Cruise tried to kick off another action franchise by bringing the main character of the Lee Child novel series to the big screen.
Though the first movie just got over the $200 million mark at the worldwide box office, the performance (or lack thereof) by the sequel indicated no one wanted any more Mr. Reacher. It barely made $162 million worldwide.
Cruise was all set to be the Robert Downey Jr. of Universal’s Dark Universe with the release of this movie and promises of more creature pictures to come. But playing a soldier of fortune who tries to stop an ancient Egyptian princess from taking over the world didn’t grab audiences. It was another franchise not meant to be.
Still getting his legs under him in the movie biz, Cruise signed onto this teen comedy in which he’s one of four friends who go on a hard-partying road trip to Tijuana in hopes of losing their virginity. Yes, even Cruise couldn’t hide from the teen-sex-comedy genre when he started his career.
Though “Jack Reacher” was the first time Cruise worked with his longtime “Mission: Impossible” director, Christopher McQuarrie, and it features the legendary director Werner Herzog as the movie’s villain, Cruise as Jack Reacher is a seen-it-before character who isn’t exciting.
Here, Cruise attempted to go the sci-fi route in hopes of having a breakthrough “Minority Report”-like experience for the audience. But the story was nowhere as sharp, and its postapocalyptic vibe left us all feeling uninterested.
Marking the first movie released by United Artists after Cruise and his producing partner Paula Wagner took over (the two left UA after a couple of years) was “Lions for Lambs,” a tense drama set around the war in Afghanistan and directed by Robert Redford.
Cruise gave his all playing an agenda-pushing senator and has some strong scenes opposite Meryl Streep. But the movie is just dull.
Cruise and his wife at the time, Nicole Kidman, paired together in this 1890s-set epic directed by Ron Howard. The two play Irish immigrants seeking a fortune in America. Outside the lush photography, there isn’t much to enjoy about this movie. And don’t get me started on Cruise’s awful Irish accent.
At the tail end of Cruise’s heartthrob phase, the director Cameron Crowe teamed with him again after their hugely successful collaboration on “Jerry Maguire” to make a very different love story.
Based on the Spanish movie “Open Your Eyes,” Cruise plays a vain New York City media playboy who has a different outlook on life after being in a horrific car crash. Though Cruise, Cameron Diaz, and Penélope Cruz (who also starred in “Open Your Eyes”) all give top performances, Crowe goes too weird with the story, leaving viewers out in the void by the time the movie gets into the home stretch.
Mixing action and dark comedy in telling the real-life story of the drug runner Barry Seal seemed like a nice pivot for Cruise, but at the end of the day, the director Doug Liman’s movie is just too glossy to be taken seriously. (Accent update: Cruise delivers a tolerable Southern drawl.)
Cruise stars as an American soldier in 19th-century Japan who embraces the samurai culture. The movie went on to receive four Oscar nominations, but it’s the kind of title in which one viewing is enough.
And on a side note: Wow, would this movie get hammered on social media if it came out today.
Another release from the time Cruise was calling the shots at UA, “Valkyrie” sees him playing one of the rogue Nazi officers who attempt to assassinate Adolf Hitler.
(Accent update: Cruise — and basically most of the other Nazi officers — decided to not even bother with a German accent. Good choice; the audience didn’t even notice [holds back giggles].)
It’s one of the movies in Cruise’s career that ride fully on his good looks. Honestly, this movie should have just been titled “Sex.” Cruise plays a hot New York City bartender who has dreams of making it big, and it’s his hotness that’s going to get him to the top. It’s classic Hot Guy Cruise — who cares that the story is garbage.
Steven Spielberg teamed up with Cruise after “Minority Report” for this blockbuster remake of the classic sci-fi movie. Though it made a lot of money, it was dark in tone — maybe a little too dark. Be honest: Have you wanted to see this movie again?
This is one of those movies that don’t get enough credit. The director James Mangold cleverly takes all the common action-hero traits and has Cruise make fun of them. You might want to give this one another viewing.
Unlike in “Endless Love,” Cruise really capitalized on this small role. As a military cadet who takes his responsibilities way too seriously, Cruise is a standout in the movie and showed audiences (and Hollywood executives) that he had leading-man potential.
J.J. Abrams takes over the franchise for this one and does an impressive job. It also helps that you have the talents of Philip Seymour Hoffman playing the villain. It’s better than “Mission: Impossible II,” so we’re going in the right direction.
Francis Ford Coppola’s adaptation of the classic novel brought all the biggest names from young Hollywood together, and Cruise was right there in the mix. With Matt Dillon, Ralph Macchio, Patrick Swayze, C. Thomas Howell, Emilio Estevez, and Rob Lowe, the movie is pretty heavy-handed with the drama, but it’s fun to watch all these amazing talents on the screen together.
Rebounding from the so-so performance of “Jack Reacher,” McQuarrie jumps on the “Mission: Impossible” franchise and ups the action stakes. Yep, this is the one where Cruise hangs from the side of a giant plane taking off. The movie also got an extra jolt with the inclusion of Rebecca Ferguson in the supporting cast.
This “Mission: Impossible” could go down as one of the best action movies ever — its stunts and action sequences are that amazing. This time, McQuarrie gives us a deeper look at what makes Ethan Hunt tick and the values he lives by. But it’s really the action that stays with you.
With its breakthroughs in CGI and tech, the first teaming of Spielberg and Cruise lived up to the hype. This movie was so advanced in its execution and what it showcased that it had a “Jurassic Park”-style ripple effect, in the sense that it has influenced countless action and sci-fi movies since.
Though Cruise doesn’t have a lot of screen time, his presence in this movie cannot be ignored. Playing a despicable movie executive named Les Grossman, he brings that patented intensity to a role that for most actors would have been a mail-it-in cameo role. In Cruise’s hands, it’s one of the best comedic performances of the early 2000s.
Two months after Cruise hit theaters with his first lead movie, “Risky Business,” he was back again with this very different movie about a Pennsylvania high-school football player who clashes with his coach.
“Risky Business” showed that Cruise had no problem being the face of a movie, but “All the Right Moves” proved he could be more than the charming lead with good looks. This one showed he could be a serious actor.
It’s the movie that breathed life back into the “Mission: Impossible” franchise. It came five years after “Mission: Impossible III,” and in that time Cruise struggled with an image problem and a string of underperforming movies. He had a lot to prove with this one. And with the casting of Jeremy Renner, Cruise probably sensed he could lose his beloved franchise if the movie didn’t work.
However, Brad Bird’s direction and Cruise’s disregard for common sense — in this one he climbs the world’s tallest building, the Burj Khalifa, in Dubai — put him back on top, as the movie became a global hit.
Before “Days of Thunder,” Cruise and Tony Scott teamed up for what would become one of the actor’s most iconic roles: the fighter pilot Maverick. What Cruise doesn’t pull off acting-wise he makes up for with brooding looks and shirtless volleyball skills.
In “The Firm,” based on the best-selling John Grisham novel, Cruise gives a fantastic performance as a hotshot lawyer who signs on with one of the most prestigious US law firms only to find it has quite a dark side. The era of “Tom Cruise runs” really launched with this movie.
Ridley Scott’s beautiful fantasy movie is still a marvel of moviemaking. The practical effects and production design put into this movie, made back when CGI was scarce, are a treasure. And at the center is a fresh-faced Cruise who tries to get his girl back from the villain who gave me the most nightmares as a kid, Darkness (played perfectly by Tim Curry).
We really don’t talk enough about this one enough. Michael Mann’s slow-burn crime movie stars Cruise as a hitman who forces a cab driver (Jamie Foxx) to drive him around Los Angeles as he goes on his “jobs.” The acting by both Cruise and Foxx in this movie is some of their best work.
There are many things to love about the “Mission: Impossible” franchise: Its James Bond-like gadgets. Cruise’s disregard for his life and safety when it comes to pulling off amazing stunts. But the biggest thing to love is that the films just seem to get better and better.
The first “M:I,” directed by Brian De Palma, set the bar very high. However, since McQuarrie took the reins in 2015 with “Rogue Nation,” the franchise has gotten a jolt in the arm. It seems to always outdo itself, and “Dead Reckoning” makes good on that promise.
The high stakes, the timely villain being AI, and, of course, Tom Cruise in the middle of some amazing thrills makes this film one of the best in the franchise.
Cruise and Kidman teamed up again, this time under the watch of Stanley Kubrick in what would be his final movie. Both actors are pushed to the limits as the movie explores a marriage at a crossroads. Though “Eyes Wide Shut” is not close to Kubrick’s best work, Cruise and Kidman are riveting.
Thirty-six years after playing Pete “Maverick” Mitchell he returns to the role in the rare legacy sequel that’s better than the original movie.
Though Tony Scott’s landmark “Top Gun” made Cruise a superstar and became an instant 1980s classic, the director Joseph Kosinski has elevated the story with more death-defying dogfight jet stunts and a more compelling story.
This time Maverick returns to the Top Gun school to be a teacher of the new hot-shot pilots. But he must deal with his own demons as one of the students is the son of his best friend, Goose, who died in his arms in the first movie.
Cruise delivers one of his best performances in years.
It’s pretty much everything you would think would be in a Tony Scott movie: lots of fast cars and big egos. Cruise is in his glory in every scene playing the hot-shot Nascar driver Cole Trickle (and Kidman appears as his love interest).
It’s the movie that made Cruise a star. The coming-of-age story doesn’t shy away from its mature storyline, and Cruise delivers a playful performance but also shows sparks of his dramatic chops that he’ll showcase in the decade to come.
Boy have things changed since the first “Mission: Impossible.” With De Palma at the helm, the movie had its action, but it was encased in a tense whodunit thriller. Since then the action has only gotten bigger (and the story, well, less of a concern), but Cruise has always been fantastic as Hunt.
The first movie is his best acting work of the franchise. (Accent update: Cruise delivers another Southern accent while disguised at the beginning of the movie — one of those classic face-rip-off disguises. It’s brief but effective in the scene.)
Cruise gives one of his best performances as Lestat, a vampire from the 1700s who finds a lot of drama in his undead life once he recruits Louis (Brad Pitt). (Accent update: His little hint of a French accent to stay true to the character’s portrayal in the classic Anne Rice book is perfectly subtle.)
Whether you want to call it “Edge of Tomorrow” or “Live. Die. Repeat.,” it’s just a really great action movie. With Liman directing and McQuarrie as a screenwriter, Cruise is surrounded by people he trusts to make a risky project: a soldier who relives the same day. But the MVP of the movie is Emily Blunt, who delivers a performance that makes Cruise kick it up a few notches.
Always at his best when he’s playing a character with major conflict, Cruise plays a guy always looking to capitalize on the angles until he’s finally in a situation in which he has to be on the level: building a relationship with his autistic savant brother (Dustin Hoffman).
Receiving a best-actor nomination for his performance as a slick sports agent whose life turns upside down after having a moment of clarity, Cruise was, thanks to this movie, at his height of stardom and power in Hollywood.
Rob Reiner’s courtroom drama has Cruise going up against Jack Nicholson, and it’s pure magic. Yes, there’s the “can’t handle the truth” scene, but for us, it starts earlier in the movie when the two characters meet for the first time.
Thanks to the incredible dialogue by Aaron Sorkin, both actors subtly trade off with each other, but it’s the fire being held back that makes the ending when they are face-to-face again so memorable.
No matter what you think of Paul Thomas Anderson’s epic look at family, love, and forgiveness, it’s hard to dispute that it has the most powerful performance of Cruise’s career.
Playing a pickup artist who uses his talents to build a public-speaking career, Cruise appears as we’ve never seen him before. Anderson and Cruise connected over dealing with the loss of their fathers and use that darkness to create the character of Frank T. J. Mackey.
Paul Newman won only one Oscar in his iconic career, and it was for this movie. But you have to give a big assist to Cruise.
Playing the protégé to the pool player “Fast Eddie” Felson — the role Newman first played in 1961’s “The Hustler” — Cruise is a cocky player, and you can never tell whether he’s on the level with Felson. Cruise proved once again that he’s more than just a pretty face.
Cruise got an Oscar nomination for his portrayal of the veteran and activist Ron Kovic, who was paralyzed fighting in Vietnam. Oliver Stone traces Kovic’s journey from being a wide-eyed soldier thinking he’s doing what’s right for America to coming home from the war to find everything has changed. Including the way he views his own country.
Cruise has never been better as he delivers a tour de force performance that still gives us chills.